November is Mizrahi Heritage Month, a time to recognize the 850,000 Jewish refugees who were displaced from the Middle East, North Africa, and Central Asia. It’s a great step forward in acknowledging Mizrahi Jews, but let’s be real—we’re still not fully represented in the larger Jewish community.
And the bellydance world? It’s kind of the same story. The amazing contributions of Jews from Arab lands to dance, art, and music are often left out. We need to remember that Jews and Christians were a big part of Arabic culture for centuries, shaping so many artistic and musical traditions.
Now, don’t get me wrong—I’ve seen Jewish organizations and publications highlight Mizrahi and Sephardic heritage a bit more lately, whether it’s by sharing mouthwatering twists on traditional dishes or showcasing Mizrahi artists and singers. These are heartwarming steps in the right direction. But honestly, our experience goes way beyond food or the occasional feature. Where are the deeper stories about the Mizrahi journey? Why are we only spotlighted during specific times of the year?
I’m not saying this out of frustration (okay, maybe just a little), but more out of a desire for connection. These small glimpses into our culture are beautiful, but they often leave me feeling like the “other.” It would mean so much more if non-Mizrahi Jews embraced our traditions year-round, not just during Mizrahi Heritage Month or the holidays. Our stories, our contributions—they’re a huge part of Jewish history, and we should be part of the conversation in a bigger way.
It’s a similar issue in the bellydance world. Many of us Mizrahi Jews feel a personal connection to the music and dance because it’s part of our heritage. But the focus in bellydance often leans heavily on Arab Muslim culture, leaving out the role Jews and other groups played in shaping these art forms. Don’t get me wrong—Arab Muslim culture is beautiful and absolutely deserves to be celebrated, but it’s just not the whole story.
When our contributions are ignored or forgotten, it feels like we’re being excluded from something that’s ours too. But instead of dwelling on what’s missing, I see it as an opportunity to share more, open up conversations, and invite people to learn about the shared history that links us all together.
And that’s the key—the history that links us all together. We really need more of that these days. The music and dance of Arab lands have been influenced by many cultures, including mine, and recognizing that makes the experience richer for everyone.
Yes, there’s still important work to be done in both the Jewish and bellydance worlds, and I get that change takes time. But I’m hopeful. These worlds aren’t complete without everyone being part of them.
That’s why I’m starting this conversation—someone’s gotta do it, right? So stay tuned for more info on Mizrahi Heritage Month and some exciting workshops.
I hope they help make your experience even richer.
Oreet